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Oscar Wilde
Axel Hoedt - Fastnacht (2010)
“A document of the famous ‘Fastnacht Festival’, which literally translates to ‘the night before fasting’, is a festival celebrated throughout Austria and Switzerland too. The annual adornment of masks that are inherently frightening and grotesque stems from the aim of chasing away ‘the spirits of winter away in preparation for the coming spring and new harvest’. The carnival-like festivities stem from both Christian and Pagan traditions.”
(via ugliestbrunette)
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Louise Bourgeois, ‘Arch of Hysteria’, 1993
(Source: exitnetwork, via masteryoderp)
Black Contemporary Art
Julien Sinzogan was born in 1957 in Porto-Novo, Republic of Benin. He studied architecture in Paris at the École Spéciale des Travaux Public, and lives and works in France.
Sinzogan’s work expresses the way of life informed and inspired by the Yoruba divinatory and religious system known as Ifa. The Yoruba people of Nigeria and Benin in West Africa see life as taking a cyclical trajectory through which individuals experience the tangible world (aye), depart to the spirit world (orun) and are reborn. Sinzogan’s works explore the journeys between these different but closely related worlds. The voyages between such realms lie at the heart of religious practice across much of the Atlantic world, a world forever shaped by another voyage: the middle passage of the Atlantic slave trade.
Omar Ba is a Senegalese artist who holds a degree from l’Ecole Nationale des Beaux-arts de Dakar, and has been living in Geneva, Switzerland, since 2003, where he completed an MA at the Ecole Superieure des Beaux-Arts.
He has since has participated in four separate exhibitions at the Galerie Anne De Villepoix, as well as the Guy Bartschi gallery, and in 2011 won the prestigious Swiss Art Award.
Omar Ba’s paintings present a colorful, fantastic, at times chaotic world where the order of things as we perceive them in the visible world is turned on its head. Giant plants tower over a miniature human world gripped by globalization; huge mother and father figures become hybrid godlike creatures at once terrifying and seductive because of the sheer beauty of Omar Ba’s craftsmanship and decorative use of saturated color.
(Source: intellectualthings)
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Erik Olson, 2013, oil on canvas, 30 x 24 inches
(Source: nycartscene, via hankeatspaint)