When you’re ready to strike, he mumbles about non-violence.
When you pinch his ear, he says it’s no cure for diarrhea.
You say you’re a mother-fucker, he claims he’s invincible.
You say you’re a mother-fucker, he claims he’s invincible.
Fuck forgiveness, tolerance be damned, to hell with manners, the low-life’s invincible.
Fuck forgiveness, tolerance be damned, to hell with manners, the low-life’s invincible.
Oh dumbass, oh such dumbass! Oh dumbass, oh such dumbass!
Oh dumbass, oh such dumbass! Oh dumbass, oh such dumbass!
Lalalalala, lalalalala Lalalalala, lalalalala
Lalalalala, lalalalala Lalalalala, lalalalala
Stand on the frontline like a dumbass, in a country that puts out like a hooker.
The field’s full of fuckers, dumbasses are everywhere.
The field’s full of fuckers, dumbasses are everywhere.
Fuck forgiveness, tolerance be damned, to hell with manners, the low-life’s invincible.
You say you’re a mother-fucker, he claims he’s invincible.
You say you’re a mother-fucker, he claims he’s invincible.
The field is full of fuckers, dumbasses are everywhere.
The field’s full of fuckers, dumbasses are everywhere.

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“Ai Weiwei’s ‘S.A.C.R.E.D’ installation is a six-part work composed of six iron boxes depicting scenes from the Chinese artist’s 81-day incarceration back in 2011. Divided accordingly: (i) Supper, (ii) Accusers, (iii) Cleansing, (iv) Ritual, (v) Entropy, and (vi) Doubt, each unit has small apertures—similar to those found on a prison cell door—for which viewers may peer into the dioramas where Ai Weiwei has positioned realist models of himself with his captors, documenting painstaking moments of his captivity in detail, and the surveillance he was under during all times (meals, bathing, going to the washroom, sleeping).”

(Source: designboom.com)

(Source: wiretap)

Never Sorry.